put your 50 word project sttement here
put your 50 word project sttement here
Glycerol soaked pellicle. Playing with how hydration of the material affects the image you laser cut onto it.
Embossed Bacterial Cellulose
The idea was to create a bacteria cellulose sheet and then print onto that an illustration that describes the bacteria’s history; how they were created and indeed how they would perish. I imagined a tome of sorts combining a scientific diagram of the process with imagery representing aspects of the growth cycles.
For this piece, I formed my mother’s face out of bacterial cellulose. Throughout the process of growing the cellulose, I was thinking about the relationship between the original pellicle to the larger one I was growing and how it mimicked a parent and child relationship.
put your 50 word project sttement here
put your 50 word project sttement here
A bacterial cellulose tray for holding a small stone.
put your 50 word project sttement here
A basket made out of pieced bacterial cellulose, naturally dyed with indigo, logwood, pokeberry, and cutch: a basket to hold the remnants of a lifecycle, to become a placeholder for time, to honor the gathering of information, to pay respect to process, to give back to the the soil we came from.
Try to inflate a cellulose and use an arduino and a heart rate sensor to control the inflating action. By controlling different inflation and deflation time, the cellulose can simulate the sensation of breathing and heartbeat.
Continuing from my bacterial print under the same image and title, I was interested in how to carry these conversations into the realm of folk craft and culture. To do so, I decided to experiment with turmeric anthotypes with the bacterial cellulose.
put your 50 word project sttement here
I have always had a special connection with ‘skin’ (I’m not referring specifically to skin here, but any object that creates a sense of envelopment). I take pleasure in observing how skin can be contorted, stretched, lifted, and imprinted. I am drawn to the states brought about by the tension of force and matter pulling out of the skin. It is an invisible yet seemingly tangible force, a state that allows me to feel two completely opposite and even contradictory sensations at the same time.
Bacterial cellulose plaque featuring the creator of Nata De Coco.
This piece is conceptually rooted in my current thesis practice of making holes and exploring tranparencies.
Using bacterial cellulose, cotton twine, and natural dye to mimic decaying skin.
The piece consists of bacterial cellulose, grown from G.hansenii cells, with an image in cyanotype and formed onto a baby doll. It’s a memorial, both thinking about the children and babies in Gaza and also the children who have been impacted by floodwater.
Anna Ervin Hibiscus, bacterial cellulose, mycelium, silk, clay, 2022 This piece is a combination of my mycelium work and my…
By using symbols that have been found in art since the days of cave painting and materials that have to some degree existed long before the modern day, my piece attempts to make connections with the artisans of the past
A hat grown with bacterial cellulose, and dyed using Jacquard MX dye.
A mycelium milk jug, and a sculptural interaction between mycelium and metal.
Combines the bacterial cellulose and brussel sprouts branch to recreate a new plant.
Karina Ye, Illustration, 2023 Mycelium is the begining and base of mushroom life. Water is the source of all life.…